On his mission from Mars, a space colonist’s ship is attacked by a Moon-based civilization and crash lands on Earth. Having lost his memory, he joins forces with a Resistance to save the galaxy from human extinction.

1814. Van Diemen’s Land, the notorious British penal colony, has dissolved into chaos. Outlaws roaming the wilderness have pushed the colonial government to breaking point. Driven by a deep sense of loyalty and an unquenchable hatred towards those he once served, English convict Michael Howe and a young aboriginal girl turn a desperate band of convicts, deserters and bushmen into a fearsome guerrilla army and lead them in open rebellion against the brutal, corrupt establishment. As the British hunt the outlaws, Howe remains an elusive prize. In desperation, the Governor makes the capture of Howe’s pregnant girl his priority. 

An epic story of love and betrayal, The Outlaw Michael Howe chronicles the astonishing true story of the man who pushed Australia to the brink of civil war.

In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.

Shot over ten years and prompted by the death of her father, filmmaker Joan explores Britain’s colonial past and the legacy her dual black and white heritage has had on her life.

Residues of apartheid-era domestic servitude confront legacies of colonial land theft in South African auteur Jenna Cato Bass’s daring horror-satire.

At an isolated frontier outpost, a colonial magistrate suffers a crisis of conscience when an army colonel arrives looking to interrogate the locals about an impending uprising, using cruel tactics that horrify the magistrate.

A girl was born and grew up in the deepest jungle of the Amazon, Colonia, that rests on the back of the most powerful Mother Spirit in the Amazon, Turtle Motelo Mama. One day she discovers that her homeland is being threatened and realizes that there are other humans in the world besides her people. As she fights to save her paradise against the greed and exploitation of children, logging, and illegal mining, she begins to struggle to reverse this destruction and impending evil of the Yucuruna, the darkness that lives in the Amazon. Guided by her mother’s spirit, Ainbo is determined to save her land and save her people before it’s too late.

In 1666, a colonial town is gripped by a hysterical witch-hunt that has deadly consequences for centuries to come, and it’s up to teenagers in 1994 to finally put an end to their town’s curse, before it’s too late.

Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.

Set against the badlands of colonial Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels called the Sons of Sieve, an uncompromising army of cross dressing bandits immortalized for terrorizing their oppressors back in Ireland. Nurtured by the notorious bushranger Harry Power (Russell Crowe) and fueled by the unfair arrest of his mother, Ned Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion the country has ever seen.

When Ripley’s lifepod is found by a salvage crew over 50 years later, she finds that terra-formers are on the very planet they found the alien species. When the company sends a family of colonists out to investigate her story, all contact is lost with the planet and colonists. They enlist Ripley and the colonial marines to return and search for answers.

Young anti-colonial idealist Wulff leaves for Danish Guinea to set up a coffee plantation but not everything goes according to plan.

A group of friends and family descend into the Everglades swamplands for their annual hunting trip only to discover that they are the ones being hunted. A malevolent entity is tracking them and they begin to realise one of their party may be possessed by something brought home from a tour of duty in the Middle East – a demon of war so horrible and deadly they are unaware of its devilish presence. Or are they facing something even more unspeakable, a legendary Native American curse about to unleash its dreadful legacy of thirsting for colonial revenge by claiming more souls?

Set in post-colonial India, Qissa tells the story of Umber Singh, a Sikh who is forced to flee his village due to ethnic cleansing at the time of partition in 1947. Umber decides to fight fate and builds a new home for his family. When Umber marries his youngest child Kanwar to Neeli, a girl of lower caste, the family is faced with the truth of their identities; as individual ambitions and destinies collide in a struggle with eternity.

The Desmond – the building’s pleasant sounding name hides a troubled past. The high rise has a long history of fires, murders, madness and even colonial era genocide upon the site. The towering building has stood empty for the better part of a century and even squatters dare not enter it’s fortress like walls. But now Johnny Craig, the host of the popular TV paranormal investigation show ‘America’s Most Haunted’ is planning to do a prime-time special from inside The Desmond. With no known way in, or out, Craig has contacted a group of urban explorers to help him and his film crew enter the building. But when Craig and his team set foot inside The Desmond the events that caused the building to be abandoned in the first place begin to repeat.

The Lovers is an epic romance time travel adventure film. Helmed by Roland Joffé from a story by Ajey Jhankar, the film is a sweeping tale of an impossible love set against the backdrop of the first Anglo-Maratha war across two time periods and continents and centred around four characters — a British officer in 18th century colonial India, the Indian woman he falls deeply in love with, an American present-day marine biologist and his wife.

Middleton prepares for its bicentennial, and Grey House is to be the party venue. Good witch Cassie is remodeling it as B&B. her first and only guest, Nick Chasen, claims to be a distant relative. He produces papers to prove he’s the heir of the builder, colonial era captain Hamblin, while the Grey lady was his mistress and stole it. Police chief and lover Jake Russell goes all the way to motivate her to fight and disprove the claim before she’s effectively disowned. Brandon is dared to pass a rascals-initiation by local brat Steve and Duke. George’s gardening skills lead to romance.

Under the oppressive Japanese colonial rule, Deok-hye, the last Princess of the declining Joseon Dynasty, is forced to move to Japan. She spends her days missing home, while struggling to maintain dignity as a princess. After a series of failed tries, Deok-hye makes her final attempt to return home with help of her childhood sweetheart, Jang-han.

In 1923 British Colonial Nigeria, Mister Johnson is an oddity — an educated black man who doesn’t really fit in with the natives or the British. He works for the local British magistrate, and considers himself English, though he has never been to England. He is always scheming, trying to get ahead, which lands him in a lot of hot water.

Set in America’s Colonial period, John Ford’s adventure tale follows Gilbert (Henry Fonda) and Lana Martin (Claudette Colbert) as they try to survive the rugged frontier. After their settlement is repeatedly attacked by Indians, the couple is taken in by a spinster (Edna May Oliver). Lana bears a son, while Gilbert heads off to fight the Indians and the British. He returns, wounded, to find his family once again under attack by the Indians.

The story of Almayer, a Dutch trader struggling to survive in Malaysia at the turn of the 19th Century. His dream of finding a mythical gold mountain is challenged by his scheming wife, the colonial authorities, the political machinations of the local chief and Arab traders, and his daughter’s love for a freedom-fighting Malay prince.

During the Japanese colonial era, roughly 400 Korean people, who were forced onto Battleship Island (‘Hashima Island’) to mine for coal, attempt to escape.

Working as a prostitute since she was 16, Kam has witnessed the highs and lows of Hong Kong over the decades. Kamis now a “madam” who manages a stable of high-end prostitutes, entertaining and hosting parties for rich men. She has seen it all. On the surface she embraces the prosperity of the ‘New HK’ but like countless middle-class HK citizens, she laments the lossof the old Hong Kong that once belonged to the people. Over the hill mob boss, Gordon, was put behind bars before the Hong Kong Handover in 1997. Gordon’s appearance and mindset are still stuck in the colonial past. Recently released from prison, he is unable to cope with the New Hong Kong. His sole source of solace is his old flame, Kam.

It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.

Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism, civil war and occupation. After surviving Japanese colonization, Korea became the first war zone of the Cold War. The legacy of war remains today in this divided country. Three forlorn teenagers, Chank-guk, Jihum and Eunok are figures in the landscape of this story, which highlights the global implications of a very Korean reality. None of them is able to escape the withering pull of tragedy. All desperate pleas for love and redemption are returned stamped in red with “Address Unknown”.

Fatu’s father has returned home to Guinea-Bissau from Portugal to attend her wedding. The young woman teaches at the university and her future husband is a well-known musician. Their wedding is supposed to take place in Tabatô, a village where everyone makes music. On the way there, it becomes apparent that the father is seriously traumatised by his experiences as a soldier in the colonial war decades earlier.

In 1971, António Lobo Antunes’ life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.

The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.